The seventh edition of the Dallas Art Fair opens April 10, with a gala preview on April 9 to benefit the Dallas Museum of Art, the Nasher Sculpture Center, and Dallas Contemporary. The fair will include 94 galleries from around the world, among them the Washburn Gallery, which is showing a few Jackson Pollock screenprints, and Galerie Perrotin, which will have a project by Kate Ericson and Mel Ziegler on offer.
Click an image to preview the fair. You can use your keyboard to move between the images.
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247365 Gallery, New York
Wilder Alison, Untitled, 2014, nylon, thread, and wool, 33 x 52 inches.
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Washburn Gallery, New York
Jackson Pollock, Untitled (After CR#340), 1951, screenprint, 29 x 23 inches.
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Nathalie Karg Gallery / Cumulus Studios, New York
Jim Drain, Untitled (Bench), 2012, powder-coated stainless steel, and aluminum, 44 x 22 x 18 inches.
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Hus Gallery, London
Konrad Wyrebek, pDBBRR Data error painting, 2014, oil and spray paint, UV ink, and varnish on canvas, 78¾ x 59 inches.
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Bortolami Gallery, New York
Eric Wesley, DPS #9 (Pomegranate), 2014, acrylic on aluminum on linen, 48 x 37 inches.
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LABOR, Mexico City
Ernesto Mallard, Natura – Múltiple, 1970, acrylic, vinyl cord, and metal, 43¼ x 31½ x 7 inches.
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Maccarone, New York
Carol Bove, Pteropurpura Falcata (detail), 2014, found objects, seashell, brass, concrete, and steel, 67½ x 12 x 12 inches.
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James Fuentes, New York
Landon Metz, Untitled, 2014, dye on canvas, 64 x 80 inches.
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Galerie Perrotin, New York, London, and Hong Kong
Kate Ericson and Mel Ziegler, Feed and Seed (Weaver Farm, Buckwheat), 1991, paper bags, plexiglas, and metal, 33¾ x 18½ x 2 inches.
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Kirk Hopper Fine Art, Dallas
James Magee, Fractured Troy, 2000, steel, 62½ x 22½ x 2 inches.
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Galleri Urbane, Dallas
Dylan Cale Jones, Tissue Box, 2014, MDF, spray paint, brass, hardware, lock, adhesive, and tissue, 10 x 5½ x 5½ inches.
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RaebervonStenglin, Zürich
Susanne Kriemann, Untitled (nuclear III), 2013, inkjet on Hahnemühle Ultra Smooth 305 gr, 55 x 43⅜ inches.
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Paul Stolper, London
Peter Saville, Monarch of the Glen, 2002, inkjet on Hahnemühle German etching paper, accompanied by a signed and numbered certificate, 46½ x 35 inches.
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Marlborough Chelsea, New York
Robert Lazzarini, Payphone, 2000, anodized aluminum, stainless steel, plexiglass, and silk-screened graphics, 108 x 84 x 56 inches.
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Josh Lilley Gallery, London
Sarah Dwyer, Paducah, 2015, oil on canvas, 80 x 73 inches.
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Jonathan Viner, London
Pentti Monkkonen, Box Truck Painting, 2015, fibreglass, aluminium, and enamel, 36 x 54 x 6 inches.
ALL IMAGES COURTESY THEIR ARTISTS, THEIR GALLERIES, AND DALLAS ART FAIR.
ADDITIONAL CREDITS: 2. ©2015 POLLOCK-KRASNER FOUNDATION/ARTISTS RIGHTS SOCIETY (ARS), NEW YORK; 12. ALSO COURTESY WILFRIED LENTZ, ROTTERDAM
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6 April 2015 | 3:04 pm – Source: artnews.com
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